A student asked me the other day whether King's legacy is something to be given up since it can be used for contrary ends. My piece doesn't answer this with a clear answer. I do hope that it leaves readers asking that question. To me that question is a prior step to ruthlessly careful and self-conscious criticism.
A start of a new year, the ominous weather forecast, the beginning of yet another semester...if this moment is anything, it is one where we can signify our resolve by any number of means. And in that unremarkable fact, we might ask how and why such moments become remarkable. Currently many students of religion are … Continue reading On J. Z. Smith and the Remarkable
As a self-identified feminist, I felt a lot of dissonance about liking movies that treat women in a way that I do not agree with at all. It was disappointing to realize the whole entertainment industry, which often is described as the most liberal industry is sexist just like society as a whole. However, I immediately thought of one movie that was different - 9 to 5.
In this series, "The Textures of Sexuality,” we have undergraduate students from two schools considering how the body is implicated in the storytelling devices used in popular media. Baker University student Mary Tusten looks at how Mad Max: Fury Road defies phallocentrism seen in most movies and challenges us to think about why we should start … Continue reading Visual Pleasure in Mad Max: Fury Road
In this series, "The Textures of Sexuality," we have undergraduate students from two schools considering how the body is implicated in storytelling devices used in popular media. Elizabethtown College student Hannah Ciocco begins with a discussion of Stewart M. Hoover and Curtis D. Coats' Does God Make the Man: Media, Religion, and the Crisis of Masculinity, (New … Continue reading American Masculinity and Media Crisis